The shortest route to Israel:

unless it's:

hmmm...
Which just demonstrates, tzitzis strings and a globe are still the most precise method for measuring curves.
(Of course, his point is right... this far from Jerusalem, Nova Scotia is en route...)


The notion that anyone would today deny their fundamental complicity in Soviet subversion is extraordinary, almost comically so. But comedy was not quite the mentality at the Rosenberg event. "Ambiguity is the key word, I think," said Mr. Doctorow, regarding our understanding of the past, though in this instance ambiguous is precisely what it is not.
Mr. Kushner argued the Rosenbergs were "murdered, basically." Mr. Doctorow went further, explaining that he wanted to use their circumstances to tell "a story of the mind of the country." It was a mind, apparently, filled with loathing and paranoia--again, never mind the truth of the charges against the Rosenbergs or other spies of the time. "The principles of the Cold War had reached absurdity," he continued. "We knew that the Russians were no threat, but we wanted to persuade Americans to be afraid" and so impose "a Puritan, punitive civil religion." Pronounced Mr. Kushner: "Our failure to come to terms with a brutal past, our failure to open up the coffins and let the ghosts out, has led to our current, horrendous situation."
The enduring artistic influence of the Rosenberg case, then, seems to be primarily allegorical. Guilt and innocence drop away (rather, guilt is converted to virtue) and the Rosenbergs are made into victims of "American fascism," to use Ethel Rosenberg's own phrase. Or to borrow the exquisite formulation of the scholar-apologist Ellen Schrecker, the Rosenbergs were guilty only of "nontraditional patriotism."
CHRISTOPHER HITCHENS:
"If, when reading an article about the debate over Iraq, you come across the
expression 'the realist school' and mentally substitute the phrase 'the American
friends of the Saudi royal family,' your understanding of the situation will
invariably be enhanced."
(Via Mike
Rappaport).
posted at 07:04 PM by Glenn Reynolds

"Already Too Busy for CivilityAnother parallel between the atacker and attackee may have been picked up on in the comments:
When the president again asked "How's your boy?" Webb replied, "That's between me and my boy." Webb told The Post:
"I'm not particularly interested in having a picture of me and George W. Bush on my wall. No offense to the institution of the presidency, and I'm certainly looking forward to working with him and his administration. [But] leaders do some symbolic things to try to convey who they are and what the message is."
Webb certainly has conveyed what he is: a boor. Never mind the patent disrespect for the presidency. Webb's more gross offense was calculated rudeness toward another human being -- one who, disregarding many hard things Webb had said about him during the campaign, asked a civil and caring question, as one parent to another. When -- if ever -- Webb grows weary of admiring his new grandeur as a "leader" who carefully calibrates the "symbolic things" he does to convey messages, he might consider this: In a republic, people decline to be led by leaders who are insufferably full of themselves."
A second category of myth is myths about the early colonists of what was to become the United States of America. Early colonists are recognized for their flight from religious persecution to form a religiously tolerant society in the New World. O'Shaughnessy mentions John Winthrop's metaphor of America as the "shining city on a hill". What he does not mention is the effect that metaphor had centruries later in Ronald Reagan's 1964 campaign speech for Barry Goldwater. Although Goldwater was defeated in a landslide, many believe this speech is what launched Reagan as a national politician with presidential prospects. The metaphor, with its reliance on a popular perception, had not lost its potency over time.
A third myth in the American founding is the perception of the "founding fathers". These individuals are viewed reverently by Americans of all political persuasions. George Washington the "father of our country" transcends political labels. His power as an image of morality was the inspiration for the fable about little George and the cherry tree. Most recently, this myth was used in the 2006 campaign in a satirical attack ad on a member of Congress. The ad relies on the viewers' perception of Washington as honest and upright to contrast it to the conduct of the contemporary congressman.
"The problem of an eidos in history, hence, arises only when a Christian transcendental fulfillment becomes immanentized. Such an immanentist hypostasis of the eschaton, however, is a theoretical fallacy."-Eric Voegelin